Your imagination.
Your 3D world.

1. The brief. A plan of the complex: four shafts, five floors, ring catwalks, fuel rooms, an exit lift.
2. Wireframe. The level's geometry grows out of the plan.
3. Blockout. The complex in clay.
4. Materials. Riveted steel, concrete and grating in one pass.
5. Detail. Cladding plates, pipes, hazard stripes and stencilled plates arrive down the corridor.
6. Bake. Grime and contact shading into the steel.
7. Lighting and shadows. The lamps come on in the shaft; hard shadows on the grating.
8. The set. Yuliia fills the rooms with generated drums, crates, consoles and racks.
9. Weapons. Draw a box, describe the weapon: three models from Meshy, box to clay to texture.
10. The film. The finished level rendered first person in Blender Eevee.

The level is original geometry from our own builder, inspired by a classic N64 shooter. No game assets were used. Download the annotated walkthrough.

1. Sketch it. A pencil sketch of the circuit you want.
2. Straight to 3D. The drawing becomes the built track, on real elevation, with asphalt and kerbs.
3. Kerbs and camber. A close pass down the track edge: the geometry the builder actually produces.
4. The terrain. Copernicus elevation grows underneath the circuit until the land meets the road.
5. Trackside. Yuliia places the grandstands, pit block, gantry and marshal posts.
6. Textures. Materials arrive across the whole world in one pass.
7. The cars. Draw a box, describe the car: two models from Meshy and Rodin, retextured through Tripo.
8. The race film. The finished scene rendered in Blender Eevee, straight from the 3D.
9. Higgsfield finish. Video-edit passes add rain, crowd and sound to that same render.

Map data © OpenStreetMap contributors (ODbL). Elevation: Copernicus DEM via Open-Meteo. Download the annotated walkthrough.

1. Research. The 1805 plan and the 1888 section of the real building, with its measurements.
2. Wireframe. The arena's geometry grows out of the plan, ellipse for ellipse.
3. Blockout. Three tiers and eighty bays, in clay.
4. Materials. Travertine, oak, bronze and linen arrive in one pass.
5. Bake. Ambient occlusion baked into the stone on our own render worker.
6. Lighting. The sky and the sun come up over the arena.
7. Shadows. The awning masts throw long shadows across the sand.
8. The set. Yuliia places the terrain, the town, the statues, the flags and the standards.
9. Characters. Draw a box, describe the fighter: three models from Meshy, box to clay to texture.
10. The film. The finished scene rendered in Blender Eevee, then the Higgsfield finish.

Plan: Giuseppe Antonio Guattani, Roma descritta ed illustrata, 1805 (British Library, via Wikimedia Commons, public domain). Section: A. Rosengarten, Architectural Styles, 1888 (Wikimedia Commons, public domain). The scene is an interpretation of the ancient layout with the 2000 film's visual treatment, not a surveyed replica. Download the annotated walkthrough.